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Mother

by Cold Beat

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rbrow02y
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rbrow02y Caught a track on Henry Rollins’ KCRW show and had to snag the vinyl immediately. There is something about this album that completely hits something I’ve been needing, to just start on the first track and let the whole thing ride to the end. It’s great. Favorite track: Double Sided Mirror.
themonthofmay
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themonthofmay This album will get in your head, pitch a tent and stay a while. Fantastic sound and artwork. Favorite track: Prism.
bobcatchampion
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bobcatchampion Love tracks 1, 9, and 10! Favorite track: Flat Earth.
steveinsocal
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steveinsocal "...an album of two distinct halves, sees expertly crafted lush, layered and synth-hued soundscapes interspersed with discordant Industrial Kraut-rock and dislocated post-punk... Hannah Lew's scholarly understanding of these genres ensures every track knits together with an uncanny cohesiveness on an album that is the band's most structured and accomplished to date..."

reclaimingthecolonies-onestateatatime.blogspot.com
Favorite track: Gloves.
Bob Loblaw
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Bob Loblaw Holy smokes, I love it! Beautiful stuff guys.
chlorinedream
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chlorinedream Awesome track! Best since UV Favorite track: Prism.
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  • Record/Vinyl + Digital Album

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  • T-Shirt/Apparel + Digital Album

    Hand-dyed locally in Oakland, California. Indigo dye on a white t-shirt in a loose cloud pattern.

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about

San Francisco band Cold Beat make their DFA debut with Mother, a collection of ten pop transmissions from Earth, 2020.

Wound tight with an energy that ricochets from one song into the next, Mother was made while frontperson Hannah Lew (formerly of indie trio Grass Widow) was pregnant and considering the chaotic conditions of the world she was bringing a new human into. If we consider Mother an artistic style guide through space and time, the framework Cold Beat provide is overcast by design but focused in execution; locked-in drums and synths with choir-like melodies high above it all.

“I found myself trying to describe our earth to a new human who had never been here,” says Lew. “It was a bleak year to be pregnant, but I was simultaneously filled with so much love and hope at the same time. I remember feeling a sense of wanting to show my whole range of self to this new person I was about to meet. In past albums, I sometimes held my artistic self in an ethereal place, but I found myself wanting to be very much on this earth and grounded during the creation of this record.”

The A-side of Mother presents the facts as we perceive them, while the B-side accelerates into the uncertain. Each of the first five track titles is one evocative word: the synths on “Prism” slide against the motorik guitar riffs and the plaintive saxophone on “Paper” casts the Leonard Cohen-esque melody in a melancholy shadow; “Gloves” is a real mood, all drive. Everything begins to unfurl from there. “Will it be over if there’s no sound?” Lew wonders on album standout “Double Sided Mirror,” and then ruminates, “it won’t be long until you find me in the beyond” on the more upbeat “Crimes.” The early architects of these sonic settings—Eurythmics, The Human League, Depeche Mode—act as touchstones and inspiration.

One of the most prescient things Mother teaches is that existence will not be, and has not ever been, a solitary experience. “It's really the first album where the project felt more like a band,” Lew says. “In a lot of ways, it feels like our first album.” And though four LPs (released on Dark Entries and Lew’s own label Crime On The Moon) precede this one, Mother is Cold Beat at their most concentrated and crystalline. It’s an honest, forgiving, and ultimately optimistic team effort from a band busy being born, re-born and giving life.

credits

released February 28, 2020

Tracks 1 & 9 written by Hannah Lew, Kyle King and Sean Monaghan
Tracks 2-8 written by Hannah Lew, Kyle King, Sean Monaghan and Luciano Talpini Aita
Track 10 written by Hannah Lew and Sean Monaghan

Lyrics by Hannah Lew
Mixed by Mikey Young
Mastered by Joe Lambert

license

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